Christmas Concert 2019

Sun, 15 Dec 2019

































 

The Concert Programme

  • Festive Overture - Dmitri Shostakovich

  • Deck the Halls - Traditional Carol, arranged by Tony Royse

  • Suite for Viola and Orchestra - Ralph Vaughan Williams - Soloist: Geoffrey Irwin

    • Group 1 - Prelude, Carol, Christmas Dance

    • Group 2 - Ballad, Moto Perpetuo

    • Group 3 - Musette, Polka Melancolique, Galop

  • I Saw Three Ships - Traditional Carol, arranged by Tony Royse

Interval....

  • The Twelve Days of Christmas - Traditional Carol, arranged by Tony Royse

  • Gloria in Excelsis Deo from 'Gloria' - Antonio Lucio Vivaldi

  • Keshet L'vana - Yosef Hadar

  • Let the River Run - Carly Simon

  • Silent Night - Franz Gruber, arranged by Tony Royse

  • Sabre Dance - Aram Khachaturian

  • God Rest Ye Merry Gentlemen - Traditional Carol, arranged by Tony Royse


Programme Notes

Festive Overture - Dmitri Shostakovich (1906 - 1975)

Shostakovich, a Russian composer and pianist, is widely regarded as one of the major composers of the 20th century. He used a variety of musical techniques and his music typically features sharp contrasts.  The Festive Overture was written in 1947 as a celebratory piece to mark the 30th anniversary of the October Revolution, but was never performed as Shostakovich was denounced by the Soviet authorities and his music dubbed as 'anti-people'.  Shostakovich revived it in 1954, after the death of Stalin, and it was performed to celebrate the 37th anniversary of the revolution in Moscow's Bolshoi Theatre on November 4th 1954, thus serving its original purpose.
 

Suite for Viola and Orchestra - Ralph Vaighan Williams (1872 - 1958)

An English composer, Vaughan Williams was strongly influenced by Tudor music and English folk song. He was among the first to travel into the countryside to collect folk songs and carols from singers, notating them for future generations. The suite has a varied colour and lightness, and consists of 8 pieces which are grouped into three movements.  It was written for renowned violist Lionel Tertis (1876 - 1975), who gave the first performance at the Queens Hall in London in 1934.  Subsequently the suite was little performed with its original orchestral accompaniment, until it was again brought to prominence at the last night of the proms in 2010.
 

Sabre Dance from Suite No. 1 for Orchestra - Aram Khachaturian (1903 - 1978)

Khachaturian was an Armenian composer and conductor, and is considered one of the leading Soviet composers.  The Sabre Dance is a movement from the final act of Khachaturian's ballet Gayane, first performed in Yerevan in 1942, where the dancers display their skill with sabres. The lyrical middle section is believed to be based on an Armenian folk song. The Sabre Dance has become famous in its own right, popularised by pop artists and used in a wide range of films and figure skating performances.
 

Gloria in D (RV589) - Antonio Lucio Vivaldi (1678 - 1741)

Vivaldi composed this Gloria in Venice, probably in 1715, for the choir of the Ospedale della Pietà, an orphanage for girls.  Vivaldi, a priest, music teacher and virtuoso violinist, composed many sacred works for the Ospedale, where he spent most of his career. This, his most famous choral piece, presents the traditional Gloria from the Latin Mass in twelve varied cantata-like sections. The Gloria lay undiscovered for two centuries after Vivaldi's death, until in the late 1920s it was found buried among a pile of forgotten Vivaldi manuscripts. It was not performed, however, until September 1939 in Siena in an edition y composer Alfredo Casella, containing what he described as an 'elaborazione'. It was not until 1957 that the now familiar original version was published and given its first performance at the First Festival of Baroque Choral Music at Brooklyn College NY. (Notes courtesy of Peter Carey, Royal Free Singers)
 

Keshet L'vana - Yosef Hadar (1926 - 2006)

The song Keshet L'vana - A White Rainbow, has been sung by choirs around the world since its release in 1996. It was written by Israeli composer, Yosef Hadar, who made a significant contribution to Israeli Folk Song in the fifties. It is popularly sung with English lyrics by Bruna Schweitzer, but tonight the choir will sing the original Hebrew words.

Let the River Run - Carly Simon (1945 - )

Simon wrote the song Let the River Run for the 1988 film Working Girl. She said the lyrics were inspired partly by the script and partly by the poems of influential poet and humanist Walt Whitman (1819 - 1892). She sought to write a hymn to New York, setting the lyrics and melody over a tribal drumming song. It begins with an image of a New York ferry crossing, and includes such phrases as 'Silver Cities Rise' and 'The New Jerusalem'. The song received numerous awards, and over time has grown to be an inspirational anthem. Simon performed the song in 2009 with her children to honour the lives lost in the desctruction of the Twin Towers, and it featured again at the worldwide Women's Protest March in 2017, the day after the inauguration of President Trump.

Programme notes compiled by Mary Dentschuk

The Concert Charity

Music in Hospitals and Care (MiHC) www.mihc.org.uk brings joy through music to a wide range of people, from newborn babies to centenarians, who are unable to access live music due to illness, disability, or loss of independence. Their live music sessions are specifically tailored to the needs of the individuals, and delivered by professional, experienced musicians, creating a bespoke experience through which everyone can access the joy, and many health benefits of live music. From bringing back long-lost memories, to soothing an anxious child, music has such a profound impact and can make a huge difference in every stage of life.
Registered Charity No. 1051659

The Concert Players

Conductor: Oliver Till

First Violins
  • Tina Bowles (Leader)
  • Rachel Barbanel
  • Mary Dentschuk
  • Steve Dobson
  • Adrian Garfoot
  • Rosie Marshall
  • Gwyn Rhydderch
  • Raffaella Urbani
Second Violins
  • Nichola Blakey (Principal)
  • Holly Garvey
  • Mary Moore
  • Mary Ruddy
  • Conor Shepherd
  • Gerry Shortall
  • Catherine Sides
  • Jan Toporowski
  • Marianne Waite
  • Pearl White
Violas
  • Geoff Irwin (Principal)
  • Helen Sanders-Hewitt (principal in Vaughan Williams)
  • Tom Boswell
  • Dickie Clarembaux
  • Stella Dilke
  • Nigel Franklin
  • Caryl Mayes
  • John Nicholls
  • Sarah Parfitt
Cellos
  • Josh Salter (Principal)
  • Sue Bird
  • Hilary Evans
  • Hannah Franklin
  • Helen Mabelis
  • Nicholas Singer
  • Andrew Williams
Double Basses
  • Darren Edwards
  • Francois Moreau
Flutes
  • Graeme Scott
  • Joanna Bosanquet
Piccolo
  • Mo Talukder
Oboes
  • Sumitra Lahiri
  • Adrian Hall
Clarinets
  • Lindsey Glen
  • Ian Merryweather
  • Rita Porzi
Alto Saxophone
  • Rita Porzi
Bassoons
  • Rosalind Hedley-Miller
  • Louise Johnston
French Horns
  • Susie Laker
  • Cendrine Lambert
  • Julie Rooke
  • Susanna Stephenson
Trumpets
  • Mike Dockerty
  • Simon Morgan
  • Charlotte Webb
Trombones
  • Peter Gough
  • Rob Heath
  • Lukas Schmidt
Tuba
  • Adam Collins
Celeste
  • Ian Brookman
Harp
  • Gabriella Jones
Timpani
  • Stuart Delve
Percussion
  • David Coronel
  • Nim Di Ricci
  • SHaron Maloney